Moca museum los angeles update#
Moca museum los angeles free#

According to the Los Angeles Times, the decision took eight months to implement due to various changes to the museum’s infrastructure to accommodate for expected increased attendance, including hiring more security guards and gallery attendants.

Moca museum los angeles update#

Update 11/20/19 11:54am:Free admission to the Museum of Contemporary Art officially begins January 11, 2020.

Moca museum los angeles free#

With the new policy, the museum will be following the example of two other museums in the city, the Broad and the Hammer Museum, which already offer free admission. On Thursdays, admission is free between 5-8pm. General admission to MOCA currently ranges between $8-$15. We have every intention that this is a permanent shift for MOCA.” MOCA says it is working on a “roll out plan to implement gift as soon as possible.” In response to Hyperallergic’s inquiry about if the new free admission policy is permanent, the museum wrote, “The gift gives us five years to create new fiscal strategies and develop revenue streams to support free admission. “Rather, it’s a way for me to support the museum and be of service to the Los Angeles community.” Powers described “diversity, inclusiveness and openness of spirit” as values integral at MOCA and stated that “harging admission is counterintuitive to art’s ability and purpose to connect, inspire, and heal people.” “This is not a badge for me,” Powers said in a statement released by the museum. “Unfortunately, it would cost the museum about $2 million a year to not take admission,” he says. Her vision will help extend and expand the museum’s distinctive legacy as we look ahead to our next era.In November last year, three weeks into his tenure as director of MOCA, Biesenbach told the LA Times that he is considering a free admission policy, but reported difficulty in achieving that goal. She has extensive experience commissioning, presenting, and contextualizing contemporary artists leading global, interdisciplinary research initiatives and strategically building collections. Clara is a talented and trusted curator and arts leader. In a statement on Kim’s hiring, Burton said, “I could not be more excited to announce that Clara Kim is joining MOCA at this pivotal moment in the institution’s history and as I begin my own tenure here. Kim is Burton’s first major hire at the institution. Upon Biesenbach’s departure, Burton was named the institution’s director.

Days later, Biesenbach announced that he would depart MOCA to lead the Neue Nationalgalerie and the forthcoming Museum of the 20th Century, two affiliated institutions in Berlin, where he got his start in the museum world. Last September, MOCA announced a restructuring of its senior leadership, demoting Biesenbach from director to artistic director and hiring Johanna Burton as executive director the two were intended to co-lead the institution. Locks resigned from her role in early 2021, saying “MOCA’s leadership is not yet ready to fully embrace IDEA,” referring to the acronym inclusion, diversity, equity, and access. When Klaus Biesenbach joined the institution as director, he did not hire a chief curator, but instead named Mia Locks as senior curator and director of new initiatives. The position of chief curator at the long-embattled museum has been vacant since 2018 after Helen Molesworth was fired by then-director Philippe Vergne, who soon departed the institution. “Throughout my career, I have championed art through exhibitions, residencies, and commissions, driven by the fundamental belief in the possibility of cultural dialogue and exchange to transform individuals and communities,” Kim said in a statement, “As a diverse, multi-lingual, multi-ethnic city, Los Angeles is uniquely positioned to chart new paths and horizons for contemporary art and what museums should look like in the 21st century.” Previously, Kim was senior curator of visual arts at the Walker Art Center in Minneapolis and gallery director and curator at REDCAT in L.A.

She also served as a co-curator of the 2018 Gwangju Biennale and the 2017 exhibition “Condemned to be Modern,” which was part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative. Johanna Burton to Lead MOCA Solo, Arc de Triomphe Gets Wrapped, and More: Morning Links for September 15, 2021 'Too Often, BIPOC Candidates Are Asked to Come with Capes on for Rescue Missions': Museum Directors Reflect on an Evolving Profession